{"product_id":"wire-magazine-issue-505-march-2026-dalek","title":"Wire Magazine Issue 505 (March 2026) dälek","description":"\u003cp\u003e\u003cstrong\u003eWire Magazine Issue 505 (March 2026) dälek\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003edälek: The New Jersey hiphop duo’s new album continues an extraordinary orbit taking in improv, hardcore and metal along the way. By Joseph Stannard\u003c\/p\u003e\n\u003cp\u003eThe Primer: Bring The Noise: From scratched vinyl to the cyborg kick of a Roland 808, hiphop beats have always been built from noise. By Rob Turner\u003c\/p\u003e\n\u003cp\u003eO Ghettão: The Portuguese producer supergroup turbocharging batida’s dance music evolution. By Joseph Francis\u003c\/p\u003e\n\u003cp\u003eVic Bang: The Buenos Aires musician shapes homespun computer music using global folk sources. By Daryl Worthington\u003c\/p\u003e\n\u003cp\u003ePascal Comelade; Toy instruments and song shards are moving parts in the Catalan musician’s sly minimalism. By Julian Cowley\u003c\/p\u003e\n\u003cp\u003eInvisible Jukebox: Daniel Blumberg: How will the soundtrack composer score against The Wire’s mystery record selection? Tested by Claire Biddles\u003c\/p\u003e\n\u003cp\u003eZu: Doom mongering monsters of industrial skronk. By Miloš Hroch\u003c\/p\u003e\n\u003cp\u003eLondon Clay: Post-punk palimpsests. By Leah Kardos\u003c\/p\u003e\n\u003cp\u003eGlobal Ear: Creative solutions to gentrification in Marseille. By Mathias Kulpinski\u003c\/p\u003e\n\u003cp\u003eUnlimited Editions: High tech meets noise rock in Julien Fernandez’s Computer Students label. By Louis Pattison\u003c\/p\u003e\n\u003cp\u003eThe Inner Sleeve: Evicshen on Lightning Bolt’s Hypermagic Mountain\u003c\/p\u003e\n\u003cp\u003eAgainst The Grain: Capitalist and patriarchal modes of listening neglect spiritual dimensions of music, argues Julia Úlehla\u003c\/p\u003e\n\u003cp\u003eEpiphanies: A late night Egyptian Lover set changes the game for RP Boo\u003c\/p\u003e\n\u003cp\u003eSoundcheck: Arcibanda; Babau; Tony Bontana; Leila Bordreuil \u0026amp; Kali Malone; Diego Caicedo; Kris Davis \u0026amp; The Lutoslawski Quartet; Deliluh; The Early; Foetus; Beverly Glenn-Copeland; Gong Slayer; Kim Gordon; Ipek Gorgun; Laurel Halo; Hen Ogledd; Henry Now; Dave Holland\/Norma Winstone\/The London Vocal Project; Suk Hong; KMRU; Konx-Om-Pax; L; Mary Lattimore \u0026amp; Julianna Barwick; Logic Lost; Seán Mac Erlaine \u0026amp; Caoimhín Ó Raghallaigh; Mandy, Indiana; Ben Marc; Mo’ong \u0026amp; Bilawa; Neo Geodesia; Nkisi; Oberkas Travel; Mary Ocher; Bart De Paepe; Shane Parish; Ivo Perelman \u0026amp; Nate Wooley; Phew \u0026amp; Danielle de Picciotto; Qasu; Red Largo; Tomeka Reid Quartet; Paul Riedl\/Hanging Moss; Scattered Purgatory; Brandon Seabrook; Shabaka; Claire M Singer; Tyshawn Sorey; Various Dub Dystopia Vol 1\u003c\/p\u003e\n\u003cp\u003eThe Columns: Avant Rock by Noel Gardner; Critical Beats by Misha Farrant; Dub \u0026amp; Reggae by Steve Barker; Electronics by Sam Davies; Hiphop \u0026amp; R\u0026amp;B by Richard Stacey; Jazz \u0026amp; Improv by Andy Hamilton; Modern Composition by Julian Cowley; Noise, Industrial \u0026amp; Beyond by Raymond Cummings; Size Matters by Byron Coley\u003c\/p\u003e\n\u003cp\u003eThe Boomerang: Joe Chambers; Slim Dunlap; Michael Garrick; Griot Galaxy; Stan Hubbs; Thelonious Monk; Evan Parker\/Paul Rogers\/Louis Moholo; Charles Tyler; Alan Vega\u003c\/p\u003e\n\u003cp\u003ePrint Run: Music Films: Documentaries, Concert Films And Other Systematic Representations Of Popular Music by Neil Fox; The Sound Atlas: A Guide To Strange Sounds Across Landscapes And Imagination by Michaela Vieser \u0026amp; Isaac Yuen; Everybody’s Head Is Open To Sound edited by Anaïs Ngbanzo; A Brief History Of Sound Recording by John Kannenberg; Ingram Marshall: A Personal And Musical Appreciation by Peter Garland\u003c\/p\u003e\n\u003cp\u003eOn Screen: Chuck Smith Fugs Film; Simon Poulter We Are Making A Film About Mark Fisher\u003c\/p\u003e\n\u003cp\u003eOn Location: Huddersfield Contemporary Music Festival, Huddersfield, UK; Jazzfest Berlin, Berlin, Germany; Sacrum Profanum, Krakow, Poland; LCMF x Wigmore Hall: The Artist Is Not Present, London, UK; Deep Time: I See Red, Edinburgh, UK; Lausanne Underground Film \u0026amp; Music Festival, Lausanne, Switzerland; GIOfest XVII, Glasgow, UK; Wet Ink Ensemble, New York, US; Le Guess Who?, Utrecht, Netherlands; OUT.FEST 2025, Barreiro, Portugal; Plunder Blunder Asunder, London, UK\u003c\/p\u003e\n\u003cp\u003eOn site: Afrosonica: Soundscapes, Geneva, Switzerland\u003c\/p\u003e\n\u003cp\u003eCheckout \u003ca href=\"https:\/\/www.thewire.co.uk\/home\/\" title=\"The Wire Magazine\" target=\"_blank\"\u003eThe Wire\u003c\/a\u003e website...\u003c\/p\u003e","brand":"Periodicals","offers":[{"title":"Default Title","offer_id":43756277235846,"sku":"wire-505","price":15.25,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0088\/2959\/9806\/files\/wire-505.jpg?v=1774973461","url":"https:\/\/www.parasolrecords.com\/products\/wire-magazine-issue-505-march-2026-dalek","provider":"Parasol Mail Order","version":"1.0","type":"link"}